PERSONAL WORK
Craft: Cinematography (2024)
PERSONAL WORK (Craft: Cinematography)
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10m:07s
Sonntag
urbanuncut GmbH
Shortlist
| Title of Piece: | Sonntag |
|---|---|
| Production Company: | urbanuncut GmbH |
| Director(s): | Pascal Thieret |
| Producer(s): | Julius Krebs, Jasmin Wisniewski |
| DoP: | Noah Böhm |
| Production Design: | Stephanie Pröm |
| Editor: | Nik Kohler |
| Creative Director: | Marleen Johow |
| Colour Grading: | Marina Starke |
| Costume Design: | Luise Herrmann |
| Music Composer: | Michael Lauterbach |
| Instagram Tag: | @pascalthieret @noah.boehm @kkingjules @urbanuncut |
| Sound Design: | Julian Lindenmann |
| Short Synopsis: | ‘Sonntag’ (‘Sunday’) - Short Film Directors Notes by Pascal Thieret: I have always shared a unique and evolving relationship with Sundays. I recall a time when I harbored an intense aversion to these days, a sentiment rooted deep within me. The most dreaded Sunday was the one that signified the end of our cherished summer vacations during school. For me and my friends, Sundays in Germany epitomized monotony. The vivacity of the weekend had faded; in our imaginations, Sundays were perpetually draped in shades of gray, accompanied by an incessant downpour, all while looming over the imminent return to school. As life progressed, Sundays took on a different, somewhat enigmatic, character. The student (party) life cast Sundays into a state of inertia. It became a dormant day, a precursor to the beckoning demands of work or university on the following day. This sentiment, however, underwent a transformation when I encountered my girlfriend. Suddenly, Sundays unfolded as a canvas of limitless possibilities. Yet, an ambivalent undercurrent toward this day persisted within me. I found myself also captivated by the religious undertones associated with Sundays – can a single day truly hold greater sanctity than others? When I stumbled upon the short story "Sonntag" penned by Konstantin Arnold, I was instantaneously struck by an overwhelming urge to craft a film that would encapsulate my complex relationship with this day. Drawing inspiration from the foundation laid by Konstantin's narrative, I embarked on a journey where two individuals converge in a bar. One, a self-destructive wanderer harboring a vehement disdain for Sundays, and the other, a firm believer standing at the opposite end of the spectrum – someone who not only experiences Sundays consciously but actively engages in church service. The intrigue lay in exploring the profound shifts that could transpire when these two characters delve into a deeper connection. A solitary encounter has the power to reshape our very essence and perception. Alina, in her own way, unveils to Lola a world brimming with vibrancy and hues, coaxing her to navigate life with less extremity and greater nuance, ultimately yielding a more impactful existence. Lola's aversion to silence, a mechanism for avoiding her own emotions, is gradually dismantled as she embarks on leisurely strolls through the tranquil parks that punctuate the city. Here, amidst nature's serenity, she finally embarks on a journey of self-confrontation, granting herself the permission to experience and process her feelings rather than suppress them. "Sonntag" isn't just a romantic tale that hints at an intimate friendship or possible love affair. It subtly engages with themes of faith and the passage of time, while also portraying the intricate process of grappling with emotions. My aspiration is for the film to capture the intricate dance between individuals, revealing the profound potential for growth through connection. |
